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👋️ Welcome. We are Considering.Art™

A LIVE arts and cultural engagement network that’s as unique as you are. An online community of art lovers, educators, artists and makers awaits.

















Last time...
JAN 17th 7PM ET / 4PM PT
#153 Considering Curiosity |
Otis Kwame Kye Quaicoe

Otis Kwame Kye Quaicoe's figuration is built upon a palette where color becomes its own language of transformation, be it social, political or personal. His are images of empowerment and redemption, sophistication and humility, curiosity and quietude. Each figure becomes a symbol of the reclamation of cultural dignity, embracing the idea of origin and personal narrative as it relates to gender and race dynamics. 

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Unlike a typical museum / gallery tour, here at Considering.Art™ - it’s not really about us, we are more interested in you.


Never repeated, and each one unique, our interactive and explorative video tours last 90 minutes and are facilitated LIVE by your very own interpretative guides.























We believe in the power of art and community to build a more equitable, inclusive, and just future.


With a focus on contemporary art, we aim to explore some of today's most pressing issues, bringing thoughts, feelings, and observations into a lively and challenging exchange.


Your Voice. Your Idea.
You Make This.


















DEC 13th 7PM ET / 4PM PT
#152 Considering Art Is . . . | Lorraine O'Grady

In her landmark performance Art Is . . . Lorraine O’Grady entered her own float in the September 1983 African-American Day Parade, riding up Harlem’s Adam Clayton Powell Jr. Boulevard (Seventh Avenue) with fifteen collaborators dressed in white.

Displayed on top of the float was an enormous, ornate gilded frame, while the words “Art Is…” were emblazoned on the float’s decorative skirt. At various points along the route, O’Grady and her collaborators jumped off the float and held up empty, gilded picture frames, inviting people to pose in them. The joyful responses turned parade onlookers into participants, affirmed the readiness of Harlem’s residents to see themselves as works of art, and created a record of the people and places of Harlem some thirty years ago.

︎︎︎ Learning Resources
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